"With its soaring
vocals, haunting woodwinds, virtuoso guitars and harpsichord, Música
Ficta takes listeners back to the Baroque era and before. But there's
a twist... and viva the difference."
Susan Vand Dongen, Time Off, Princeton, NJ, USA, July 13,
2007
"A wonderfully diverse collection of music... Jairo Serrano's
clear, light tenor voice breathes life into everything he sings.
The lively performances of the songs, dances, and other pieces make
it easy for the listener to imagine musical life in a South American
city 300 years ago. Música Ficta's performances of European
music easily stand comparison with the finest early music ensembles,
and the rough-hewn syncopated energy of the folk music of the New
World is revelatory. The sound is crystalline and present; hearing
the singer's breath and the percussive attacks of the plucked strings
gives the music real immediacy. Sound: 4.5 Stars. Performance: 4.5
Stars."
Stephen Eddins, AllMusic.com, USA, May 2007
"Música Ficta offers a fascinating perspective of
this Apollenean-Dyonisian mixture of the Latin-American baroque,
that musical apotheosis of feast and adoration in which it is difficult
to distinguish adoration of the celestial from the terrestrial.
For the listener, there are many discoveries; the repertoire offered
could well have been searched for in vain, until now. Despite meticulous
detail, the ensemble's performances avoid academic rigidity. There
is good reason for this recording to be nominated for a prize.
(5 stars *****)."
Erik Daumann, Klassik Magazin (Klassik.com), Germany, March
25, 2007
"...a very pleasing acquaintance with music rarely found
on recordings. ...a quite dramatic soliloquy, artfully and ardently
sung by tenor Jairo Serrano. Música Ficta deserves praise
for its efforts to keep this repertoire alive and striving to present
it in a form as true to its roots as possible. Anyone looking to
explore one of the more interesting but lesser-known corners of
early American music should definitely consider this program."
David Vernier, Classics Today, USA, March 2007
"Listeners with a taste for the lively and
exotic will find this music irresistible."
Gatens, American Record Guide, USA, Jan.-Feb. 2007
"An exciting issue. Performances are not only first rate
but also in complete empathy with this very special music domain.
The delicate sound quality with some top-notch annotations make
this disc a top proposition, particularly for those who have an
appetite for the unusual."
Gerald Fenech, ClassicalNet, England, Jan. 22, 2007
"A superb production for enjoying the New World. An extremely
coherent and specialized ensemble... Vibrant presence and musical
sensitivity. One of the best sounds heard among the vast number
of recent productions. This CD definitely deserves a place of honor
in the media library of the demanding audiophile and the respected
enthusiast." Supersonic Pizzicato Award (5
stars *****)
Pizzicato Classics, Luxembourg, Dec. 2006
"A superb album... an elegantly ordered recital with a
taste of just about everything, and it leaves me hankering for more.
This is a first class production all around, one of the best I have
heard this year, and is to be acquired with urgency."
(5 stars *****)
Steven Ritter, Audiophile Audition, USA, Dec. 2006
5 Stars *****
Musyka21, Poland, July 2006
"This disc jumps on the fast-moving bandwagon carrying
Baroque music from Latin America. Attractive music... a terrific
clash of sacred and secular elements. The album's title track is
a delightful one. Serrano's diction brings home the sense of the
lyrics. A worthwhile entry into the growing library of performances
of early music from Latin America." AllMusic
Award (****)
James Manheim, AllMusic, USA, November 2006
"Música Ficta has not lost an inch of its interpretative
spontaneity, which is its trademark, and transmits joy and conviction
to the listener. Excellent technical quality."
Emilio Sanmiguel, Revista Credencial, Colombia, January
2006
"A fascinating perspective of Peruvian music in the 17th
century."
Crescendo - das klassikmagazin, Germany, Feb. 2006
"...the singer carries off effortlessly an interesting
array of pyrotechnical sound effects... the recorder is fine and
full, the playing energetic, moving effortlessly between sustained
phrases and florid passagework. A highly recommended CD."
Alyson Lewin, The Recorder Magazine, UK, Summer 2005
"Su presentación constituyó el clímax
de la edición 2004 del Festival de Música en Otoño.
La calidad interpretativa, el cuidadoso perfil del programa y la
altísima calidad de cada uno de los ejecutantes dieron un
gozo continuo durante toda la velada."
Alejandro Fernández, El Norte, Monterrey, México,
October 29, 2004
"A great concert... impeccable technical control... admirable
impression, the full house was enthusiastic."
Svein Berg, Tonsbergs Blad, Norway, July 2, 2003
"Este espléndido grupo 'me atrapó' y disfruté
profundamente su propuesta, cuya interpretación me pareció
rica, variada y colorida, pero sobre todo, vital."
Lázaro Azar
, La Reforma, México DF, October 30, 2002
"Pero las ovaciones (del Festival Misiones de Chiqutitos)
se dieron con Música Ficta. Se comprobó que
en este grupo es pecado ser aburrido, fue uno de los espectáculos
más aplaudidos durante la fiesta barroca."
El Deber, Santa Cruz, Bolivia, May 1, 2002
"The overflow audience was moved... the one and a half
hours concert proved too short. Hopefully they will come back."
M. I. Méndez Castelar, International Press Japan,
Tokyo, Sept. 2001
"A brave new musical world was breached when the Singapore
audience was exposed for the first time to Spanish colonial music
from the 17th and 18th centuries. The conclusion? It's only baroque-n-roll
but they liked it. This noteworthy discovery came courtesy
of Colombian ensemble Música Ficta. The music spoke
volumes. Thanks to an accomplished performance, Spanish colonial
music made a belated entry to Singapore and was welcomed with open
arms."
Geoffrey Eu, Singapore Business Times, June 16, 2001
"Colombian Early Music ensemble Musica Ficta went all
out with its small band at the Victoria Concert Hall last night
to prove the vitality of Latin-American Baroque music. It
was in this twee wonderland that some semblance of a time-capsuled
17th century world was captured by the jaunty, professorial performers.
Musica Ficta was delightful for being fresh, different and unpretentious.
It was an ear-washing trip that stood out in the offerings at the
Singapore Arts Festival."
Tan Shzr Ee, The Straits Times, Singapore, June 14, 2001
"L'interprétation passionnée de l'ensemble
colombien Musica Ficta confère à cette évocation
de l'Espagne de la Reconquista les couleurs les plus vives.
L'abondante documentation n'est que le support d'une interprétation
déroutante par la vie qui en émane."
Marc Desmet, Le Monde de la Musique, France, June 2001
"From Bogota, a New World of baroque ...a generous sample
of New World baroque music was presented Monday evening at the Corcoran
Gallery. North American audiences are hardly aware of numerous
and excellent Latin-American baroque composers... as the group's
sparkling performances demonstrated... with rhythmic vitality and
a fine sense of color. Vocal music was sung with style and
expressive power."
Joseph McLellan, The Washington Post, December 6, 2000
"Vale la pena registrar el concierto que la HJCK diera
a sus oyentes en la Catedral Primada con el grupo Música
Ficta. Quizás nunca el inmenso recinto había
allegado tal cantidad de público en un acto no litúrgico.
Fue un gesto emocionante, espontáneo y solidario."
María Teresa del Castillo, El Tiempo, Bogotá,
Colombia, September 26, 2000
"...all attractively performed. ...what an array
of instruments! Limpid and dulcet voices with a stylistic
penchant of gently skirting the true pitch. With such a variety
of instruments at hand the accompaniments are exotic and haunting.
Excellent notes with texts and translations."
Charles H Parsons, American Record Guide, September -
October 2000
"...an attractive program which shows an interesting originality
of approach to this repertoire. Their performances are characterized
by rhythmic liveliness and transparent textures. ...completely
at home with the vocal and instrumental style ...extremely effectively
natural rhythmic impetus. These songs are exquisitely
crafted traditional pieces, and when they are approached without
artifice, as here, they have much to offer."
Ivan Moody, Goldberg Magazine, Spain / U.K., No. 11,
May-July 2000
"...some flamboyant, rhythmic revelry. ...the quality
of musicianship is quite extraordinary. ...one really gets
a feel for the driving spirit of early music which from so many
performances and recordings has been completely lost. In musicological
terms, this recording is a voyage of discovery into uncharted territories.
The performances seem right and stylistically correct, just
as our fifteenth century forbears would have taken for granted.
So when you next visit the record store to buy yet another CD of
Vivaldi concerti or Handel sonatas, why not get this recording instead?
Go on, treat yourself!"
Adam J. Dopadlik, The Recorder Magazine, U.K., June 2000
"Nada qué envidiarle a un proyecto similar de cualquier
sello europeo. ...tienen la formación, la experiencia y la
autoridad para lograr estos resultados. De nuevo está
la seriedad y el profesionalismo de Música Ficta, ahora enfrentando
un repertorio aún más complejo y comprometido.
...impecable producción, gran calidad de la interpretación,
riqueza y versatilidad en los instrumentos de época,
sutilezas en el manejo de voces e instrumentos, ...producto
de la investigación musicológica a fondo; cuidadoso
manejo de tiempos y ritmos, que han derivado del estudio inteligente
de la prosodia y escandación natural de los textos.
Nuevamente un disco con calidad y categoría internacional."
Emilio Sanmiguel, Revista Semana, Bogotá, Colombia,
March 7, 2000
"... un trabajo encomiable... hermoso disco... una estética
y un marco poético muy sugestivos... dicción clara
y expresiva, fundamental para la asimilación de los textos.
Un esfuerzo grande realizado con absoluto profesionalismo. Felicitaciones."
María Teresa del Castillo, El Tiempo, Bogotá,
Colombia, Feb. 14, 2000
"...(the) group of spirited musicians from Colombia played
a program of early Latin American music at the IDBs Washington,
D.C., headquarters that kept toes tapping in the overflow audience."
IDB America, USA, Nov.-Dec. 1998
"El grupo colombiano Música Ficta cerró
el Festival de Música Renacentista y Barroca de Chiquitos
con broche de oro."
El Nuevo Día, Santa Cruz de la Sierra, Bolivia,
Mayo 17 de 1998
"This recording... is a good reminder that Europe and
North America are not the only places where interesting work is
being done in early music. This disc is especially welcome.
A nicely produced program from a group I'd like to hear more from."
Continuo Magazine, USA, Oct. 1997
"My first impression... is the overwhelming freshness
of their approach. Their music exudes... an unaffected clarity
far from the sterile outpourings of many European ensembles, a tremendous
sense of enjoyment of the performers. ...full of life and
vitality..."
Adam J. Dopadlik, The Recorder Magazine, UK, March, 1997
"...un concert unique... une découverte."
Le Télégramme du Morbihan, France, June
19, 1994

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